'Painting Architecture in Early Renaissance Italy: Invention and Persuasion at the Intersection of Art and Architectural Practice' - Book Launch

Why did artists include prominent architectural settings in their narrative paintings? Why did they labour over specific, highly innovative structural solutions? Why did they endeavour to design original ornamental motifs which brought together sculptural, pictorial and architectural approaches, as well as showcasing their understanding of materiality? Painting Architecture in Early Renaissance Italy addresses these questions in order to shed light on the early exchanges between artistic and architectural practice in Italy, arguing that architecture in painting provided a unique platform for architectural experimentation. Rather than interpreting architectural settings as purely spatial devices and as lesser counterparts of their built cognates, this book emphasises their intrinsic value as designs as well as communicative tools, contending that the architectural imagination of artists was instrumental in redefining the status of architectural forms as a kind of cultural currency. Exploring the nexus between innovation and persuasion, Livia Lupi highlights an early form of little-discussed paragone between painting and architecture which relied on a shared understanding of architectural invention as a symbol of prestige. This approach offers a precious insight into how architectural forms were perceived and deployed, be they two or three-dimensional, at the same time clarifying the intersection of architecture and the figural arts in the work of later, influential figures like Giuliano da Sangallo, Raphael, Michelangelo and Baldassarre Peruzzi, whose work would not have been possible without the architectural experimentation of early fifteenth-century artists.

With Cammy Brothers and Amanda Lillie as respondents.
 
Livia Lupi is a historian of art and architecture in early modern Europe, with a focus on the intersection of artistic and architectural practice. Her work has been funded by the Arts and Humanities Research Council, the Leverhulme Trust and the Warburg Institute. In addition to her research, she works as a curator, editor, and translator.
 
Cammy Brothers is Professor of Architectural History at Northeastern University. She is the author of Michelangelo, Drawing and the Invention of Architecture and of Giuliano da Sangallo and the Ruins of Rome, which was the subject of a Warburg Institute Director's Seminar in May 2022.

Amanda Lillie is Professor Emerita of the History of Art at the University of York. She is the author of Florentine Villas In The Fifteenth Century: An Architectural and Social History and the curator of the National gallery exhibition Building the Picture: Architecture in Italian Renaissance Painting (2014).

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Image: Fra Angelico, Ordination of St Stephen, detail of entablature, west wall, Nicholas V Chapel, Vatican Palace, Rome, 1448–1450. Photo © Governatorato dello S.C.V. - Direzione dei Musei. Tutti i diritti riservati.